Richard Warren

"Clearly I tap to you clearly along the plumbing of the world" (W S Graham)

Tag Archives: forgery

A couple of Vorticist angles

Following my previous post and new page on Cuthbert Hamilton, a couple more scraps relating to the Great English Vortex …

Helen Saunders, ‘Study for The Island of Laputa’ © Estate of Helen Saunders

In 1969 the d’Offay Couper Gallery put on Abstract Art in England 1913-1915, which claimed to be the first attempt since 1915 to display a comprehensive collection of Vorticist work. I’ve just acquired a copy of the catalogue, which reveals that the show was surprisingly rich, if a bit Bomberg-heavy. It also allows me to make a couple of small amendments to my “galleries” for Helen Saunders and Lawrence Atkinson (tabs above) by adding images of Saunders’s study for The Island of Laputa, and of the original version of Atkinson’s very beautiful Vital.

Lawrence Atkinson, ‘Vital’

In 1969 Dorothy Shakespear and Kate Lechmere (among others associated with the movement) were still alive. Blimey. But then, 1969 was only four years after the mid point between 1915 and now. And, as it says in BLAST 1, the Future is distant, like the Past, and therefore sentimental.

Meanwhile, it’s been two years since we looked in on the prolific craftsmanship of eBay seller Raymond of Mortlake, aka “mortlakeunion2009”, who is still feverishly banging out pastiches of Vorticist works, as well tackling the cubisms of Leger, Marcoussis, Popova, Gleizes and a dozen more, and who shows no signs of fatigue. (See previous posts here and here.) In his six years on eBay, Raymond has racked up nearly 1500 sales of paintings and drawings, often in batches to repeat buyers Europe-wide. Feedback shows that 99% are happy with what they know full well to be fakes, though in a few cases the penny seems to have dropped after the event:

“Too new for Saunders, but a nice composition in her style”

“art works are fake, reported to ebay”

“The watercolour was sticked on a carton with a sticked frame. Good for trash”

“faux authentique. Attention !”

“Foot[sic] tooth and nail to avoid giving a refund for substandard workds[sic]. Avoid”

“bad imitation, fake and FALSE PAINTING on cardboard modern replica”

(To this last, Mortlake has responded in bristling self-defence: “PAINTED ON OLD PAPER AND ATTACHED TO MODERN CARDBOARD”.)

Among the many hundreds of positives, one buyer has commented, apparently without a trace of irony, “love this sellers detailed provenance”.

I imagine Raymond perhaps as an embittered shop steward of the Communication Workers’ Union or TGWU (both have offices in Mortlake), burning away the midnight hours cranking out his decorative fakes as an act of social revenge. Or perhaps not. But anyway, here are a few more of his old Vorts, and some newer ones, just for the record or just for fun … (Click for slide show.)

David Bomberg


William Roberts


Wyndham Lewis

 

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More crap Vorticist forgeries

My post of July 14 drew attention to the renewed appearance on eBay of decorative fakes of Vorticist artworks, mostly  by a single seller. He or she has since gone into overdrive, today’s browse turning up 25 new items by “followers of” Wyndham Lewis, David Bomberg and William Roberts. All are signed, though none are dated; all are described as a “deceased estate purchase”, and all are offered by London seller mortlakeunion2009 at prices up to £50. Just for the record, I show them here – click on thumbnails for the galleries. Similar items are offered by Laura Knight, Henry Moore and Mark Gertler, plus assorted Russian and Czech modernists, some at rather higher figures. Young Mortlake seems to be doing quite well with his/her artwork judging by his/her feedback, which shows multiple sales to a number of buyers, though the identities of items sold are nearly all blanked out on the feedback list. Buyers are presumably bottom end “art dealers” who sell this stuff onwards at a profit – though at this standard why don’t they just bang out their own and cut out the wholesaler?


The first Lewis here (above) is a re-run of the composition shown in my earlier post. The pasticheur has got a little of the jizz of 1914 Lewis, leaving some pen lines open ended or taking them fractionally beyond intersections, and being careful not to erase too much of the pencil under-drawing. But the compositions are hardly dynamic, tight or coherent, some whole sections being sliced off by grossly extended diagonal or horizontal lines that are not at all integrated. Some areas of watercolour are carelessly edged, and the use of three stripes occasionally has more of the feel of Adidas than of the Vortex. Even so, the Lewises are perhaps the best of the bunch.


The Bombergs (above) are far less successful, appearing clumsy and unknowing. This is particularly true of the first shown here, as well as the two superficial attempts at Ju-Jitsu type compositions where the faker has completely failed to understand the structural processes as discussed in my recent post on Vorticism and quilting. The final Bomberg shown here is a composition that doubles as two of the Roberts imitations (below), while a third Roberts re-employs many of the same motifs. The first, more figure-based, Roberts is a direct but very hesitant copy of his 1913 Study for a Nativity.


One could say more, but these hardly deserve the discussion. Though at least they are a tad better than the same seller’s lumpy attempts at Laura Knight drawings, which have to be seen to be disbelieved.

Some crap Vorticist forgeries

Hardly a revelation that enterprising eBayers have hit on modernist art as a rewarding field for forgery; after all, if a child of five could do that, it should be simple enough for you and me. And so the eBay art listings are spammed to overflowing with drawings by Picasso, Cocteau etc, “in the manner of” or simply sans provenance, a few with a hint of skill, but most hilariously inept. (Though Lowry is a gift for the amateur pasticheur, given that he did draw like a five year old. Fake Lowries probably outnumber all the rest put together.) It’s doubtful that buyers are fooled any longer; more that they hope that their friends might be fooled when they see it on the wall.

Fancy a Bomberg for £50? Vorticism looks a doddle, given that all you need is a sharp pencil and a decent ruler. I’ve noticed these four in recent weeks (click on them to enlarge) – a “Bomberg” drawing and oil, a “Saunders” watercolour and a “Lewis” drawing. The “Bomberg” drawing wouldn’t fool the mythical five year old, but the other three – all by the same hand, as the digital gold frames indicate – show a superficial familiarity with their targets. But the babyish primary colours of the “Saunders” hardly do justice to her skill as a colourist, and the composition, which attempts to employ her typical boxed shapes, is neither dynamic nor convincing. The “Lewis” pastiches some familiar shapes in the lower half, but the composition unravels towards the top, where shapes fight against the general movement. In the “Bomberg” oil, positive and negative shapes seem oddly out of proportion with each other. One could go on. Hah! Not quite so easy, is it?

With such weaknesses, are these remotely dangerous? You wouldn’t think so, but looking at what some top auction houses get away with these days …

(More Vorticist forgeries in the follow up here.)