Richard Warren

20thc British art and poetry (mainly), plus bits of my own – "Clearly I tap to you clearly along the plumbing of the world" (W S Graham)

The human dimension of sculpture

Probably the last blast here for Wolverhampton’s recently controversial Barbara Hepworth bronze, Rock Form (Porthcurno) – see previous post and many others. But I can’t resist posting this great pic taken just after its unveiling by the Mayor in the Mander Centre shopping precinct in 1968, as the crowd closes in to ponder. Click for full size, and study the faces and body language! Photo courtesy of Pippa Thorneycroft, née Mander, who was present at the ceremony. Thank you, Pippa.

"I do not think sculpture can come alive in architecture at all unless it is recognized as a value in its own right. Sculpture is not primarily an embellishment. It gives the human dimension, it gives that added perception which only sculpture can give. [...] Sculpture makes people act in a certain way; they move in a certain manner. Their gestures and their reaction to a sculpture are extremely expressive and this is the point - if the architect and the sculptor know how to seize upon it - where one might achieve a vital development in the architect's as well as in the sculptor's work in relation to human needs." (Barbara Hepworth)

“I do not think sculpture can come alive in architecture at all unless it is recognized as a value in its own right. Sculpture is not primarily an embellishment. It gives the human dimension, it gives that added perception which only sculpture can give. […] Sculpture makes people act in a certain way; they move in a certain manner. Their gestures and their reaction to a sculpture are extremely expressive and this is the point – if the architect and the sculptor know how to seize upon it – where one might achieve a vital development in the architect’s as well as in the sculptor’s work in relation to human needs.” (Barbara Hepworth) Copyright P Thorneycroft.

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