Richard Warren

20thc British art and poetry (mainly), plus bits of my own – "Clearly I tap to you clearly along the plumbing of the world" (W S Graham)

More crap Vorticist forgeries

My post of July 14 drew attention to the renewed appearance on eBay of decorative fakes of Vorticist artworks, mostly  by a single seller. He or she has since gone into overdrive, today’s browse turning up 25 new items by “followers of” Wyndham Lewis, David Bomberg and William Roberts. All are signed, though none are dated; all are described as a “deceased estate purchase”, and all are offered by London seller mortlakeunion2009 at prices up to £50. Just for the record, I show them here – click on thumbnails for the galleries. Similar items are offered by Laura Knight, Henry Moore and Mark Gertler, plus assorted Russian and Czech modernists, some at rather higher figures. Young Mortlake seems to be doing quite well with his/her artwork judging by his/her feedback, which shows multiple sales to a number of buyers, though the identities of items sold are nearly all blanked out on the feedback list. Buyers are presumably bottom end “art dealers” who sell this stuff onwards at a profit – though at this standard why don’t they just bang out their own and cut out the wholesaler?


The first Lewis here (above) is a re-run of the composition shown in my earlier post. The pasticheur has got a little of the jizz of 1914 Lewis, leaving some pen lines open ended or taking them fractionally beyond intersections, and being careful not to erase too much of the pencil under-drawing. But the compositions are hardly dynamic, tight or coherent, some whole sections being sliced off by grossly extended diagonal or horizontal lines that are not at all integrated. Some areas of watercolour are carelessly edged, and the use of three stripes occasionally has more of the feel of Adidas than of the Vortex. Even so, the Lewises are perhaps the best of the bunch.


The Bombergs (above) are far less successful, appearing clumsy and unknowing. This is particularly true of the first shown here, as well as the two superficial attempts at Ju-Jitsu type compositions where the faker has completely failed to understand the structural processes as discussed in my recent post on Vorticism and quilting. The final Bomberg shown here is a composition that doubles as two of the Roberts imitations (below), while a third Roberts re-employs many of the same motifs. The first, more figure-based, Roberts is a direct but very hesitant copy of his 1913 Study for a Nativity.


One could say more, but these hardly deserve the discussion. Though at least they are a tad better than the same seller’s lumpy attempts at Laura Knight drawings, which have to be seen to be disbelieved.

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