Richard Warren

20thc British art and poetry (mainly), plus bits of my own – "Clearly I tap to you clearly along the plumbing of the world" (W S Graham)

Some crap Vorticist forgeries

Hardly a revelation that enterprising eBayers have hit on modernist art as a rewarding field for forgery; after all, if a child of five could do that, it should be simple enough for you and me. And so the eBay art listings are spammed to overflowing with drawings by Picasso, Cocteau etc, “in the manner of” or simply sans provenance, a few with a hint of skill, but most hilariously inept. (Though Lowry is a gift for the amateur pasticheur, given that he did draw like a five year old. Fake Lowries probably outnumber all the rest put together.) It’s doubtful that buyers are fooled any longer; more that they hope that their friends might be fooled when they see it on the wall.

Fancy a Bomberg for £50? Vorticism looks a doddle, given that all you need is a sharp pencil and a decent ruler. I’ve noticed these four in recent weeks (click on them to enlarge) – a “Bomberg” drawing and oil, a “Saunders” watercolour and a “Lewis” drawing. The “Bomberg” drawing wouldn’t fool the mythical five year old, but the other three – all by the same hand, as the digital gold frames indicate – show a superficial familiarity with their targets. But the babyish primary colours of the “Saunders” hardly do justice to her skill as a colourist, and the composition, which attempts to employ her typical boxed shapes, is neither dynamic nor convincing. The “Lewis” pastiches some familiar shapes in the lower half, but the composition unravels towards the top, where shapes fight against the general movement. In the “Bomberg” oil, positive and negative shapes seem oddly out of proportion with each other. One could go on. Hah! Not quite so easy, is it?

With such weaknesses, are these remotely dangerous? You wouldn’t think so, but looking at what some top auction houses get away with these days …

(More Vorticist forgeries in the follow up here.)

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